Edgar Degas
The Private Impressionist
Works on Paper by the Artist and his Circle

TRAVELING EXHIBITION
2010 - 2013

Curated by:
Robert Flynn Johnson

Curator Emeritus of the Achenbach Foundation For Graphic Arts
of the Fine Arts Museums of San Francisco
 

Organized by:
Landau Traveling Exhibitions, Los Angeles, CA
in association with
Denenberg Fine Arts, West Hollywood, CA


- Introduction
- Exhibition Facts - List of Works -

- Selected Images -

- Schedule -

-Return to LTE Exhibitions Page -


Edgar Degas
The Private Impressionist
Works on Paper by the Artist and his Circle

The great French artist, Edgar Degas (1834-1917) once said, “I wish to be illustrious and unknown.” To a great extent, his wish has been granted. By the time of his death over ninety years ago, his art had become famous; his reputation since has only grown. Yet the individual who was so accomplished in so many artistic endeavors--from drawing, painting, and printmaking to sculpture and photography--has remained elusive.

Unjustly labeled a misogynist because of his frank depiction of women, and a cynic because of his reputation for biting wit, Degas was, rather, arguably the greatest artistic observer of human nature since Rembrandt.

Although often aloof to strangers, Degas elicited great reciprocal warmth and loyalty from his family, and as well from a wide circle of friends that included some of the greatest writers and artists of the epoch. The present exhibition, consists of twenty drawings, thirteen prints, three photographs, two monotypes, one sculpture, and a letter by Degas, and is drawn from a single private collection. In its special focus, the collection endeavors to illuminate the background, personality, and uniqueness of Edgar Degas the man, as well as presenting his genius as an artist.

The subject matter of the works in the exhibition is often quite personal in nature. In addition to three self-portraits, there are depictions of his father, his brother Achille, an Italian niece, his loyal housekeeper Sabine Neyt, the wife of a patron, Madame Ernest May, three portraits of artist Edouard Manet, and two of Mary Cassatt. The exhibition includes drawings after antique sculpture and old masters such as Mantegna, Michelangelo, and Solario. There are prints and drawings that touch upon the three great themes of his art: the human body, horseracing, and the ballet. Also to be shown is a group of brilliant color aquatints, facsimiles after Degas monotypes by the artist Maurice Potin commissioned shortly after the artist’s death by Degas’ friend and dealer, Ambroise Vollard, who owned the originals.

Supplementing the works by Degas in the exhibition will be a select group of seventeen rare works of art on paper by artists whose friendship he shared, including Annie Ayrton, Giovanni Boldini, Marcellin Desboutin, Hippolyte Flandrin, Jean-Auguste Dominique Ingres, Alphonse Legros, Adolph von Menzel, Gustave Moreau, Henri Regnault, William Rothenstein, Alfred Stevens, Henri de Toulouse-Lautrec, Joseph Gabriel Tourny, and six drawings by Pierre-Georges Jeanniot, one of Degas’ closest friends during the last decades of his career. The group of Jeanniot drawings comprise a portrait of Degas’ younger disciple Jean-Louis Forain, three self-portraits, and two exceedingly rare portraits of Degas himself, famous for his reticence to pose.

The compelling works in this exhibition will provide an insightful exploration into the art and personality of one of the most skilled, intelligent, and complex artists in the history of art.

The exhibition is curated by Robert Flynn Johnson, Curator Emeritus of the Achenbach Foundation For Graphic Arts of the Fine Arts Museums of San Francisco. A full color catalogue will be published in which Johnson will contribute an essay outlining Degas' fascinating family background [with roots from Naples, Italy to New Orleans , Louisiana] which led him to become the only Impressionist to visit and work in the United States. Referencing the works in the exhibition, Johnson will follow Degas' development from precocious draftsman to the most intellectually probing artist of his era. He will also discuss Degas' innovative achievements in the areas of printmaking, monotype, photography and sculpture.    

Robert Flynn Johnson is Curator Emeritus of the Achenbach Foundation For Graphic Arts of the Fine Arts Museums of San Francisco where he was Curator in Charge from 1975 until his retirement in 2007. For over thirty years he was also an instructor at the San Francisco Art Institute. Some of his numerous publications include , LUCIAN FREUD : WORKS ON PAPER [1988 ] , PLANT KINGDOMS : THE PHOTOGRAPHS OF CHARLES JONES [1998] , ARTIST'S BOOKS IN THE MODERN ERA [2001] , ANONYMOUS: ENIGMATIC IMAGES FROM UNKNOWN PHOTOGRAPHERS [2004] , JUDGING BY APPEARANCE : MASTER DRAWINGS FROM THE COLLECTION OF JOSEPH AND DEBORAH GOLDYNE [2006] , VALENTIN POPOV [2008] , and the forthcoming THE FACE IN THE LENS :ANONYMOUS PHOTOGRAPHS [2009] .

The exhibition is being organized by Landau Traveling Exhibitions, Los Angeles, CA, in association with Denenberg Fine Arts, West Hollywood, CA. It will be available for presentation beginning in the 2010 through 2012.





 

   


Exhibition Facts


Dates Available:  Spring 2010 - 2013 - limited to 6 venues


Contents:            80 works in total, plus text panels and wall labels

                               40 works by Degas:  20 drawings, 13 prints, 2 monotypes,
                               8 photographs, 1 letter, 1 sculpture

                               17 color engravings and aquatints after Degas monotypes

                               18 works on paper by artists in the circle of Degas

Publications:       A full color catalogue and gallery guide will be available

Space Req:          300 – 400 running feet approx.

Loan Fee:             On Request

Insurance:           Exhibitor responsible 

Shipping:             Exhibitor responsible 

Req:                      Appropriate security

Contact:               Jeffrey Landau, Director  -310-397-3098 - jlandau@a-r-t.com

 

Schedule
as of 033010

2010

OPEN

2011

OPEN

2012

Feb 23 - May 28
Portland Museum of Art, Portland, ME

April 15 -December 31 OPEN

2013

OPEN

-    


Edgar Degas
The Private Impressionist

Works on Paper by the Artist and his Circle

Checklist of Exhibition

Edgar Degas: Drawings

1. Achille Degas, 1853
Graphite

2. Self Portrait in Profile, ca. 1854
    Graphite

3. Study After an Etruscan Head-shaped Pot, ca. 1854
    Black chalk

4. Study After an Antique Head of a Youth, Studies of Legs and Foot, 1854-55
    Graphite

5. Studies of Head and Arms, 1854-55
    Graphite (double sided)

6. Studies of Legs and Feet and a Study After a Michelangelo Sculpture, ca. 1854
    Graphite and red chalk (double sided)

7. Copy of a Crucified Thief from Mantegna’s Crucifixion in the Lourve, ca. 1855
    Graphite

8. Copy of the Head of the Virgin from Solario’s The Virgin with the Green Cushion  
     in the Louvre, ca. 1855
Graphite

9. Self Portrait in the Manner of Filippino Lippi, ca. 1855
    Graphite

10. Portrait of the Artist’s Father and Other Studies, ca. 1857
      Graphite with white heightening

11. Study for Dante and Virgil, 1857-58
      Graphite with white heightening

12. Mlle Dembowska, 1858-59
      Black crayon

13. Nude Stepping Forward and a Drapery Study: Study for The Daughters of
      Jephthah, ca. 1859
     Graphite

14. Jockey on Horseback in Profile, 1860-65
     Graphite

15. Plough Horse, 1860-61
     Graphite

16. Horses Galloping, ca. 1866
     Graphite

17. Studies of Draught Horses, 1860-65
     Graphite

18. Sabine Neyt, the Artist’s Housekeeper, ca 1879
      Black crayon

19. Madame Ernest May, 1880
      Black chalk heightened with white and red additions

20. Jockey, ca. 1882
     Black chalk

Edgar Degas: Prints

(Note: Degas published few of his prints, therefore early impressions are very rare. Later, Degas canceled his plates, but lightly, and in such a way as not to mar the integrity of the compositions. Most of the prints in this exhibition are early impressions from the canceled plates after Degas sold the plates to Vollard around 1910.)

21. The Engraver, Joseph Tourny, 1857
      Etching

22. Edgar Degas: Self Portrait, 1857
      Etching and drypoint

23. Mlle. Nathalie Wolkonska, 1860-61
      Etching

24. Marguerite DeGas, the Artist’s Sister, 1860-62
      Etching and drypoint

25. Manet Seated, Turned to the Left, 1864-65
      Etching

26. Manet Seated, Turned to the Right, 1864-65
      Etching and drypoint

27. Edouard Manet, Bust-Length Portrait, 1864-65
     Etching, drypoint, and aquatint

28. Alphonse Hirsch, 1875
     Drypoint and aquatint

29. On Stage II, 1876-77
      Softground etching, drypoint, and roulette

30. At the Café des Ambassadeurs, 1879-80
     Drypoint, aquatint, softground etching

31. Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80
     Softground etching, drypoint, aquatint, and etching

32. Mary Cassatt at the Louvre: The Paintings Gallery, 1879-80
     Etching, softground etching, aquatint, and drypoint

33. Before the Race, ca. 1895
     Color lithograph (collaboration with the printer, Auguste Clot)

Edgar Degas: Monotypes

34. Bust of a Woman, ca. 1876
      Monotype

35. The Two Trees, ca. 1876
      Monotype

Edgar Degas: Photographs

36. The Apotheosis of Degas, 1885
      Albumen silver print (in collaboration with Walter Barnes)

37. Christine Lerolle, 1895-96
      Gelatin silver print

38. Yvonne Lerolle, 1895-96
      Gelatin silver print

Edgar Degas: Letter

39. Letter to the artist, Louis Braquaval (French, 1856-1919), November 4, 1897    
Edgar Degas: Sculpture

Edgar Degas: Sculpture

40. Head, Study of the Portrait of Mademoiselle S., 1892-95
     Bronze

Color engravings and aquatints
after monotypes by Edgar Degas by Maurice Potin
(French 1874-?) commissioned by Vollard

41. - 48. Guy de Maupassant La Maison Tellier, Paris; Ambroise Vollard, Editeur, 1934
 Eight out of the nineteen prints by Maurice Potin after brothel scene  
 monotypes by Edgar Degas

49. - 56. Pierre Louys Mimes: Des Courtisanes de Lucien, Paris; Ambroise Vollard,
              Editeur, 1935
  Eight out of twenty-two prints by Maurice Potin after brothel scene
  monotypes by Edgar Degas


Works on paper from artists in the circle of Degas

57. Annie Ayrton (English ?-1886), Portrait of a Working Girl, ca. 1880
      Pastel

58. Giovanni Boldini (Italian 1842-1931), Portrait of the Artist, Fernand Cormon
      (French 1845-1924),
      Graphite

59. Marcellin Desboutin (French 1823-1902), Self Portrait, ca. 1875,
      Drypoint

60. Jean-Hippolyte Flandrin (French 1809-1864), Madame Flacheron, 1864
      Graphite

61. Jean-Auguste Dominique Ingres (French 1780-1867), Head of the Virgin, ca. 1850
     Graphite

62. Alphonse Legros (French 1837-1911), Self Portrait, 1896
      Red chalk

63. Adolf von Menzel (German 1815-1905), Menzel’s Sister Emilie, Asleep on a Train,
      ca. 1870
      Graphite

64. Gustave Moreau (French 1826-1898), Portrait of a Man, ca. 1854
      Graphite

65. Henri Regnault (French 1843-1871), Self Portrait, ca. 1870
      Graphite

66. William Rothenstein (English 1872-1945), The Artist Adolf von Menzel
      (German 1815-1905), ca. 1895
      Black and red chalk

67. Alfred Stevens (Belgian, 1823-1906), Self Portrait, ca. 1850
      Black chalk

68. Henri de Toulouse-Lautrec (French 1864-1901), Portrait of a Woman, 1894
      Graphite

69. Joseph Gabriel Tourney (French 1817-1880), Portrait of a Man, ca. 1857
     Watercolor

70. Pierre-Georges Jeanniot (French 1848-1934), Four Self Portraits, ca. 1890
      Black crayon

71. Pierre-Georges Jeanniot (French 1848-1934), Portrait of Degas, ca. 1890
      Black crayon

72. Pierre-Georges Jeanniot (French 1848-1934) Portrait of the Sculptor Albert
      Bartholome, ca. 1890
      Graphite

73. & 74.
     Pierre-Georges Jeanniot (French 1848-1934), Self-Portraits: April 26, 1914,  
      1914
      Black crayon (a pair)

75. Pierre-Georges Jeanniot (French 1848-1934), Degas in Old Age, ca. 1916
      Black crayon

 


- Selected Images -

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