Pages 24 & 25

Veronica Lake &                        Jean Harlow
Joel McCrea                                    
          

While making the Preston Sturges film Sullivan's Travels in 1941, VERONICA LAKE and JOEL McCREA enjoyed a taste of the privileged life on the Janss family estate, where this scene was shot. If it hadn't been for her hairstyle, Lake might not have been quite as legendary. But that "peek-a-boo" do that almost obscured one eye became such a trend that she was one of the hottest stars of the early forties. At one point the War Department had to step in and ask her to change her style, since so many Rosie-the- Riveter types were adopting the look - semi- blinded by their tresses, workers' long hair easily got caught in machinery. Lake enjoyed some hits in which she was teamed with Alan Ladd, starting with This Gun For Hire (1942). Her love life was in the news when she dated Greek millionaire Aristotle Onassis and Hollywood tycoon Howard Hughes. By the end of the forties, however, her popularity declined and her career went awry. She filed for bankruptcy, dropped out and disappeared. In the sixties a journalist tracked her down in the bar of a New York hotel where she was serving drinks. By 1973, after a final failed attempt to jump- start her career, she died from hepatitis. McCrea's career was as hot as Lake's in the forties, when he had the lead in Alfred Hitchcock's Foreign Correspondent (1940) and Sturges' The Palm Beach Store: (1942). After 1946 he appeared mostly in westerns. For McCrea, who had grown up in Hollywood helping early cowboy stars Tom Mix and William S. Hart with their horses, this represented the completion of a career circle. JEAN HARLOW strikes a pose in her BVD swimsuit, which featured a rather innocent round neckline in front, a daring extremely low-cut back. It was the perfect design to reflect her sex-kitten image. Harlow got her break as the heroine in Howard Hughes' World War I epic Hell's Angels (1930). Under contract to Hughes, the platinum blonde developed a reputation for playing coarse, wise-cracking characters with a vulnerable side, which also paralleled her off-screen personality. When Harlow moved to MGM in 1932, she became more refined, developing into a sexy, sultry comedienne. Nicknamed "Baby," she died suddenly of a cerebral edema at age twenty-six.

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